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“Billy! Who could steal our little girl? I cannot think it. She’s gone with some of the children to watch the fire.” Mrs. Bennett’s words were braver than her face, for in her heart she felt Billy was right, though she wondered why.,

St. Elmo clapped his tiny hands and asked for “Moah,” while Norah Bliggins, who had been almost petrified when she heard the voice of Mrs. Wopp, sat hoping no one would ask her for the golden text. She was devoutly thankful that she could get up from her cramped position. A wide lath in the upturned box which served as her seat had broken and she had sunk deeper and deeper until her chubby chin and knees were in close proximity. It required the united efforts of Maria and Betty to extricate the unfortunate child. The doll was safe, however, and with fortitude worthy of emulation still smiled although sawdust again trickled from her re-opened wound. Henry started up a lusty crowing and Moses began to whistle while Betty uncovered the windows and made other preparations for leaving the loft. Several of her pictures had been spoiled by the rain and the box reduced to a soft pulpy mass.,

“Now ef you would jist play ‘Home Sweet Home’ with variations, my dear, we’ll arterwards hev a game of crokinole. Crokinole is sich an amusin’ game.”,

“Ain’t she her own aunt?” hazarded Mr. Wopp, abstractedly thrusting his hammer into his boot top and scratching his bald head with a pair of pincers.

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S Billy Bennett wheeled around the corner he saw his mother in the doorway. Also he saw Jean Hammond across the street speaking with Bess Carter,—the Queen of Sheba, the children called her, she was so large and dark and handsome, and had such a royal way, like a sure ’nough queen, one said. Though why children who had never been out of Vine County should know so much about queens no one thought to ask.,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.,

“Oh no Betty,” Moses tones were of an elder-brotherly authority, “yer li’l han’s aint meant fer sich servitood. I’d not stan’ by an’ see you do that.” With all his teasing at times, Moses adored his little foster-sister. He idealized her, and as Mrs. Wopp had often remarked, whenever Betty left his presence he saw her ascend into heaven in a “Whirlwin’ of fire, an’ go-cart of flame.”,

She shook her head.